![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgikhiBYHcFqBe7oF5K3qDSbK__l5DrcU55TDiWC1StQQyU-VRBVN9JfVLooL0BzJPnKjx5oMMJpCYlJUAUkuMWsAGrawcSDcTVXjYTM_Jmsnx3prCqlAhyphenhyphentA0sXCTfxAAmfmQDJg/s400/paul3.jpg)
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Paul’s work has evolved considerably. Victorian graphics have been replaced by Dada-ist collages fusing adolescence, aggression, and rough-around-more-than-just-the-edges pornography. These motifs are tempered by a joyous use of colour and an ambitious style. Equally, the images are provoking and provocative: dripping as much with sensitivity and gravitas as they are with sex and death. Moreover, they are a window onto the mind of the frustrated modern male: boiling over with unkempt aggression and sexuality, but yearning somehow for a higher moral purpose than the gradual accumulation of acceptance. Clowns crack and go on the rampage; kids in cowboy outfits contemplate the worth of their peers; and babies are contented to consider the consequences of the quantum age. (via chestionabil / lazarides)
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